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Framing Dissidents

  

Επικοινωνία

Location: Berlin, Germany

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Citizen Band Radio:

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CIA's Child Sex Slaves

  

Πατριώτη S.O.S.

  

Greek Dissidents Political Persecution



 

A Greek Government In Exile

  

60+ Trillion Euros Dispute for Greece's Minerals



 

21/06/2020 International Protests

 

Robbed at Copenhagen

 

George Bobolas

 

Prespes-Agreement Superimposed-Reality Ruthless-Propaganda

 

 

 

 

Mielke - Chrisochoidis

 

O/L to British P/M

 

O/L to E. Macron

 

Accountability-Free Genocides

 

Militarized "psychiatry"

 

The Absolute Evil

 

Gang-stalking Greeks

 

Byzantine Atrocities

 

European Dissidents ALARM

 

Human Rights' Court

 

The used up men

 

Dissidents - USG RICO crimes

 

Open Letter to Theresa May

 

Open Letter to António Guterres UN's SG

 

Triangulation - Zersetzen

 

Open Letter to Andrew Parker, MI5

  

Πράξεις ποταπές - Despicable choices

 

 

My father's death

 

Cavitation damage

 

Burglary and vandalism

 

Dry mini submarine

 

Message to Bundeswehr 2

 

Message to Bundeswehr 1

 

“Tough” guys and TOUGH guys

 

Μοναδική λύση, το Χόλιγουντ

 

Charlatans

 

Zeppelin: Beyond Gravity

 

Foreign intervention in Greece?

 

Η ανελεύθερη Ελλάδα

 

Η Ελλάδα καταγώγιο;

 

Αν.Επ. Π. Παυλόπουλο

  

Intangible prisons

 

Plausible deniability

 

Images of German w & s

 

Crimes against Humanity

 

"Chimera" - "Bellerophon"

 

pr. Donald Trump

 

  

Legal Notice 87

 

Βδέλλες, αποικιοκρατικές

 

Being a German

 

Legal Notice 84

 

Dirty colonial methods

 

Georgi Markov, BG - KGB

 

Samples of Barbarity

 

Ελλάδα - αποκόλληση

 

Έλληνες, στο έλεος...

 

Harvester's log 16/3/17

 

 

Legal Notice 66

 

Execrable

 

Legal Notice 62

 

  

My story

 

  

Aggression?

 

  

Η Εστία μου

 

  

Why so untidy?

 

  

Αποικιοκρατία

 

  

Εξόντωση Ελλήνων αντιφρονούντων;

 

  

Ζήτημα εμπιστοσύνης

 

  

Μεθοδικότητα

 

  

Ανοικτή Επιστολή πρέσβη ΗΠΑ

Αφορμή, U2RIT vs Ελλάδα;

Βιοηθική

A request to U2RIT

Colonial aggression - 2

Open Letter to UN S.G.

Open Letter to p.C. & p. O.

Δήλωση πρόθεσης επαναπατρισμού

 

Ο "εφιάλτης" της Νυρεμβέργης

Συλλογή Φωτογραφιών

Αίτημα προστασίας, προς Ιταλία

Chroma key, background removal

Science and Ethics

Να συμβάλει και η U2RIT

Θα ξαναφτιάξουν πολλές φορές Άουσβιτς και Zyclon B

 

Split-Screen effect

Η Ζωή είναι Ωραία.

Βόρεια Κορέα

Λευτεριά στους Έλληνες, εξανα- γκαστικά "Εξαφανισμένους"

 

Μυστικές δίκες;

Trustworthiness

Πολιτισμό, ή, απληστία;

Ακραία Στυγνότητα

Η Τέχνη της Επιβίωσης

Political Asylum 3

Επιστροφή στις ρίζες

The Human Cost of Torture

An urgent appeal for solidarity

More obvious than the Sun

Western "culture"

Political Asylum

Έννομη Προστασία

Μια μήνυση που εγείρει ερωτηματικά

 

 

 

Honor your father...

Noise

Creative Greeks

A pair of Dictatorships

Humour PDF Εκτύπωση E-mail
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Συντάχθηκε απο τον/την Χρήστος Μπούμπουλης (Christos Boumpoulis)   
Πέμπτη, 20 Νοέμβριος 2014 01:10
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Humour or humor (see spelling differences) is the tendency of particular cognitive experiences to provoke laughter and provide amusement. The term derives from thehumoral medicine of the ancient Greeks, which taught that the balance of fluids in the human body, known as humours (Latin: humor, "body fluid"), controlled human health and emotion.

People of all ages and cultures respond to humour. Most people are able to experience humour—i.e., to be amused, to smile or laugh at something funny—and thus are considered to have a sense of humour. The hypothetical person lacking a sense of humour would likely find the behaviour induced by humour to be inexplicable, strange, or even irrational. Though ultimately decided by personal taste, the extent to which a person finds something humorous depends on a host of variables, including geographical location, culture, maturity, level of education,intelligence and context. For example, young children may favour slapstick such asPunch and Judy puppet shows or cartoons such as Tom and Jerry, whose purely physical nature makes it more accessible to them. By contrast, more sophisticated forms of humour such as satire require an understanding of its social meaning and context, and thus tend to appeal to more mature audiences.

Theories

Many theories exist about what humour is and what social function it serves. The prevailing types of theories attempting to account for the existence of humour include psychologicaltheories, the vast majority of which consider humour-induced behaviour to be very healthy; spiritual theories, which may, for instance, consider humour to be a "gift from God"; and theories which consider humour to be an unexplainable mystery, very much like a mystical experience.

Views

Some claim that humour cannot or should not be explained. Author E.B. White once said, "Humor can be dissected as a frog can, but the thing dies in the process and the innards are discouraging to any but the pure scientific mind."[2]

Arthur Schopenhauer lamented the misuse of humour (a German loanword from English) to mean any type of comedy. However, both humour and comic are often used when theorising about the subject. The connotations of humour as opposed to comic are said to be that of response versus stimulus. Additionally, humour was thought to include a combination of ridiculousness and wit in an individual; the paradigmatic case being Shakespeare's Sir John Falstaff. The French were slow to adopt the term humour; in French, humeur and humour are still two different words, the former referring to a person's mood or to the archaic concept of the four humours.

Ancient Greece

Western humour theory begins with Plato, who attributed to Socrates (as a semi-historical dialogue character) in the Philebus (p. 49b) the view that the essence of the ridiculous is an ignorance in the weak, who are thus unable to retaliate when ridiculed. Later, in Greek philosophy, Aristotle, in the Poetics (1449a, pp. 34–35), suggested that an ugliness that does not disgust is fundamental to humour.

India

In ancient Sanskrit drama, Bharata Muni's Natya Shastra defined humour (hāsyam) as one of the nine nava rasas, or principle rasas(emotional responses), which can be inspired in the audience by bhavas, the imitations of emotions that the actors perform. Each rasawas associated with a specific bhavas portrayed on stage. In the case of humour, it was associated with mirth (hasya).


In Arabic culture

The terms comedy and satire became synonymous after Aristotle's Poetics was translated into Arabic in the medieval Islamic world, where it was elaborated upon by Arabic writers and Islamic philosophers such as Abu Bischr, his pupil Al-Farabi, Persian Avicenna, and Averroes. Due to cultural differences, they disassociated comedy from Greek dramatic representation, and instead identified it with Arabic poetic themes and forms, such as hija (satirical poetry). They viewed comedy as simply the "art of reprehension" and made no reference to light and cheerful events or troublesome beginnings and happy endings associated with classical Greek comedy. After the Latin translations of the 12th century, the term comedy thus gained a new semantic meaning in Medieval literature.

[wiki]


Coping with the adversities of life presupposes that we maintain both, even strength, as well as, clear thinking.

Emotional detachment of the problems that we try to resolve creatively help us to maintain our courage and strengthens our problem solving ability. This detachment may become accomplished by having developed the sense of humour.

The collective joy that shared humour may cause help us to make our personal relationships, during hard times, even more creative and harmonious.

A good sense of humour may become a “key” ingredient of the resolution process of the most difficult collective problems, there are.


Airplane!: Automatic pilot.



Note: the photo was found here.

Τελευταία Ενημέρωση στις Πέμπτη, 20 Νοέμβριος 2014 01:23